“It’s a bit depressing how facts seem to hide more than they reveal.” – Molly Goode, museum curator Less than a year on the job, Molly finds herself tasked with at a make-or-break crossroads with Evelyn Fox, the frosty and exacting Director. In order to carry out the final bequest of their longtime benefactor, George […]
Molly Goode draws you into the book and into her from the first dialogue. Committed, passionate, idealistic, open, funny, giving…she is completely adorable. The other MC, Georgina Wright, starts off tilting towards being an Ice Queen, but is mercifully, as open to Molly as Molly truly deserves.
Brief synopsis: Molly is a newly appointed art curator of a museum. Wright Foundation is one of the main benefactors of the said museum. Georgina’s father willed a fairish number of artifacts to the museum, and now Georgina has to hand over the bequest. She seems to be dragging her feet and Molly is assigned the task to get Georgina going on it. However, the first time the two MCs meet, Georgina has come to the museum to find the provenance of one particular painting of one of her ancestors’, Josephine. At that point Molly doesn’t know who Georgina is. The painting captures Molly’s imagination and the story unfolds on two levels: the growing relationship between Molly and Georgina and the relationship between Josephine and Edith (the painter of the portrait) two hundred years back.
This was a complex story to cultivate but has been excellently executed. While all the characters are beautifully developed but the tortured Josephine and completely lovable Molly really burrow into your heart. The relationship between the two MCs grabs you and the chemistry is oh, so there.
Review by Best Lesfic Reviews
This book pulled me in so amazingly fast I’m pretty sure I got reading whiplash. It was awesome (except for Evelyn, I would like to flatten her nose a couple of times in rapid succession, although, I think that that was the purpose of the character).
It’s the story of Molly and Georgina. Molly is an art curator who is passionate about her job and about diversifying the museum where she works for’s collection.
And when Georgina’s father dies she is put in charge of a foundation that sometimes supports the museum. Also, she has to pack up her father’s house, which is near the museum. She comes to a painting that is neither going to the museum with her father’s other art, or willed to her, and so she enlist’s Molly’s help (through the entirely unpleasant director of the museum, Evelyn) to find out who painted the portrait of Georgina’s ancestor and why.
Needless to say, they get closer as they work together to solve the painting’s mystery, but, they both have issues (of different sorts) and so the question is, can they overcome their pasts to enjoy their present and future?
What was most impressive about this novel was the emotion throughout the book, the whole novel seemed to vibrate with all sorts of different emotions. Especially the stuff that was set in the 1800s, which I loved.
It was an amazing book, complex and compelling.
I received this book via Netgalley thanks to Bold Strokes Books.
Review by From Bella To Ylva
Anna Larner – Author of Highland Fling, Hooper Street and Love’s Portrait.
Finalist in the 2019 Foreword INDIES Book of The Year, 2019 Rainbow Awards and 2018 Golden Crown Literary Society Awards.
Featured in women.com, DIVA magazine, Gscene magazine, AfterEllen (Top Ten Summer Reads of 2017) and Publishers Weekly.
Independent publishing | Independent writing | Independent thinking
Come say hello and maybe buy a book. Hot off the press copies of Love’s Portrait will be available before general release! *£10.00*
If you can’t make it but would like to purchase a copy of Love’s Portrait please contact me direct (postage and packing will apply).
[I will also bring with me a few copies of Highland Fling and Girls Next Door.]
The tenth States of Independence takes place on Saturday 23 March 2019 at Clephan Building, De Montfort University, Leicester. 10.30am – 4.30pm. Free entry!
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Publishers Weekly Spring 2019 Announcements: Love’s Portrait by Anna Larner (April 2019, ISBN 978-1-63555-057-3). Sparks fly between Molly, an art curator, and Georgina, her museum’s aloof benefactor, as they research the portrait of a 19th-century lesbian social activist and try to convince the museum’s board to display it.
Context of extract:
Museum Curator Molly Goode (central character) has just attended a museum funding meeting with her boss Evelyn Fox and the Chairman of the Trustees Mark Drew. Her suggestions that the museum should focus on more diversity and community based projects are rebuffed in favour of securing the ongoing patronage of the Wright family, headed by Georgina Wright (central character).
Molly returns to her desk defeated and dispirited.
Molly returned to her office, dropped her notes back into the bin where they belonged, and slumped onto Fran’s desk with a heavy sigh.
“You’re sitting on my sandwich.” Fran pushed at Molly’s hip, encouraging her to stand.
“I’ve sat on your lunch? Oh my God, could this day get any worse?” Molly held Fran’s baguette, squishy in her hands. It was now less buoyant baguette and more flatbread and pretty much summed up her morning.
Fran stood with a groan. “Want anything from the cafe?”
Molly looked down, crestfallen, and shook her head.
“I take it the meeting wasn’t exactly a great success.” Fran rested a motherly hand on Molly’s shoulder.
She couldn’t bring herself to mention the annex let alone that she had prompted the idea of a dedicated exhibition in the first place. “Honestly it was chilling to hear them. Everything’s about money or status to them. I thought museums were for and about the people.”
“You’re sounding more like a social historian every day,” Fran said, with an approving nod. “Although isn’t the art world, your world, all about that—status?”
“Not for me.”
“Good for you.” Fran placed her hands on her hips. “I think we need cake.”
“Have lunch in the square with me?”
“Sorry, no can do, I’ve a shopping list longer than David Attenborough’s career. But I’ll see you later. So what will it be—Victoria Sponge or, better still, eclairs?”
Molly mustered a smile. “How about both?”
“Good choice.” Fran turned back at the door. “Do you remember what I said to you when you first started at the museum? That you will always feel disheartened if your approach is to work against them?”
“The trick, if there is a trick”—Fran frowned slightly—“is somehow to find a way to achieve what you believe is right but that still delivers for the powers that be.”
“So is this how you handle Evelyn?”
“On my good days, yes. On my bad days, lots of rude words shouted at the top of my lungs in the privacy of the ladies’ loo.”
Molly giggled. “Right. Noted.”
The instant Fran closed the door, Molly was engulfed by images of the chairman with his expression of vacuous power, his mane-like hair swept back, his tie tight against his collar moving with his throat as he spoke. He was confident in a bullish way that suggested at his heart he was insecure. His insecurity made him dangerous, and if she was not mistaken, that was likely the source of his power and influence—not his knowledge, not his experience, but the fragility of his ego, charming when stroked, ferociously defensive when challenged.
Evelyn seemed to be a master at managing him, stroking to calm and cajole. She appealed to his competitive nature by presenting the museum as a place of excellence. A leading institution, indeed. She was the consummate manager of people.
Molly closed her eyes at the image of Evelyn with her pen raised to silence her. Her temper rose. She needed to find a place to shout rude words.
Leaving the frustrations of her meeting behind, she headed to her sanctuary, a small public garden next to the museum. Aptly named Museum Square, the simply designed square patch of civic ground was bordered on two sides by parked cars. A collection of benches placed around the inside edge of the square separated the grass from wide borders. A diagonal path, broken up by tree roots, stretched across, splitting halfway along to encircle a large horse chestnut tree. This tree marked the seasons, signalling the changing patterns of the year. In winter, bare and stark against white skies, the tree seemed to shrink, huddled with those brave or crazy enough to stop awhile and sit. In spring, tentative buds relaxed in the welcome return of the first rays of sunshine. In summer, students rested against its weathered waist reading their books, cool in the shade of branches laden with the soft flutter of green leaves. And in autumn, the debris of crushed conkers bashed free from its branches, littering the ground with evidence of battles won and lost and of time passing as the empty husks curled and browned.
She cherished those moments spent sitting on her favourite bench eating her sandwiches, with her lunchbox at her side and with the sprawling horse chestnut her faithful companion.
Basking in the calm stillness of the beautiful September day, she took off her shoes and let the grass brush against the soles of her feet. She lifted her chin to the cloudless sky. The air was changing from the dry sandy notes of summer to the sweet musk of autumn. The leaves above her were fading, and their greens had softened to mossy shades from vibrant lime. Even the midday light beaming through the canopy seemed weaker now, less luminous, its strongest rays falling on another person sitting on another bench, in another square, in another land.
*Now available to buy at the Bold Strokes Books webstore*
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ISBN-13 978-1-63555-058-0 ebook
ISBN-13 978-1-63555-057-3 paperback
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