“It’s a bit depressing how facts seem to hide more than they reveal.” – Molly Goode, museum curator Less than a year on the job, Molly finds herself tasked with at a make-or-break crossroads with Evelyn Fox, the frosty and exacting Director. In order to carry out the final bequest of their longtime benefactor, George […]
Molly Goode draws you into the book and into her from the first dialogue. Committed, passionate, idealistic, open, funny, giving…she is completely adorable. The other MC, Georgina Wright, starts off tilting towards being an Ice Queen, but is mercifully, as open to Molly as Molly truly deserves.
Brief synopsis: Molly is a newly appointed art curator of a museum. Wright Foundation is one of the main benefactors of the said museum. Georgina’s father willed a fairish number of artifacts to the museum, and now Georgina has to hand over the bequest. She seems to be dragging her feet and Molly is assigned the task to get Georgina going on it. However, the first time the two MCs meet, Georgina has come to the museum to find the provenance of one particular painting of one of her ancestors’, Josephine. At that point Molly doesn’t know who Georgina is. The painting captures Molly’s imagination and the story unfolds on two levels: the growing relationship between Molly and Georgina and the relationship between Josephine and Edith (the painter of the portrait) two hundred years back.
This was a complex story to cultivate but has been excellently executed. While all the characters are beautifully developed but the tortured Josephine and completely lovable Molly really burrow into your heart. The relationship between the two MCs grabs you and the chemistry is oh, so there.
Review by Best Lesfic Reviews
This book pulled me in so amazingly fast I’m pretty sure I got reading whiplash. It was awesome (except for Evelyn, I would like to flatten her nose a couple of times in rapid succession, although, I think that that was the purpose of the character).
It’s the story of Molly and Georgina. Molly is an art curator who is passionate about her job and about diversifying the museum where she works for’s collection.
And when Georgina’s father dies she is put in charge of a foundation that sometimes supports the museum. Also, she has to pack up her father’s house, which is near the museum. She comes to a painting that is neither going to the museum with her father’s other art, or willed to her, and so she enlist’s Molly’s help (through the entirely unpleasant director of the museum, Evelyn) to find out who painted the portrait of Georgina’s ancestor and why.
Needless to say, they get closer as they work together to solve the painting’s mystery, but, they both have issues (of different sorts) and so the question is, can they overcome their pasts to enjoy their present and future?
What was most impressive about this novel was the emotion throughout the book, the whole novel seemed to vibrate with all sorts of different emotions. Especially the stuff that was set in the 1800s, which I loved.
It was an amazing book, complex and compelling.
I received this book via Netgalley thanks to Bold Strokes Books.
Review by From Bella To Ylva
Anna Larner – Author of Highland Fling, Hooper Street and Love’s Portrait.
Finalist in the 2019 Foreword INDIES Book of The Year, 2019 Rainbow Awards and 2018 Golden Crown Literary Society Awards.
Featured in women.com, DIVA magazine, Gscene magazine, AfterEllen (Top Ten Summer Reads of 2017) and Publishers Weekly.
From the breath-taking Highlands of Scotland to the buzz of a Leicester gay bar, family and friendship are tested to breaking point as the narrative pressure builds in this wonderful engaging Lesbian romance by novelist Anna Larner….