Interview With ELLCon (European Lesfic Literary Conference)

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We spoke to Anna Larner about her books and her writing plans for the future.

(A) TELL US SOMETHING INTERESTING ABOUT YOUR LAST PUBLISHED BOOK. 

My debut lesbian romance Highland Fling had the working title How Does The Sun Know How To Shine?

Without giving too much of the plot away, early on in the book, Moira Burns (one of the main characters) is worried about her lack of sexual experience and she seeks reassurance from her first love. Her lover responds by saying “How does the sun know how to shine, Moira?” “How does the wind know how to blow?” “How does the rain know how to fall?” helping Moira to understand that her sexuality is as natural as nature itself and is something to be cherished and enjoyed.

It is one of the key messages that I hope readers will take from Highland Fling, along with living your life for today, looking forward, free from regret.

(B) WHAT GOT YOU INTO WRITING? 

I attended the ‘States of Independence’ Book Festival held in Leicester’s De Montfort University, back in 2012. Bold Strokes Books hosted a panel on that day, encouraging people to consider writing for an LGBT press. It was a proper lightbulb moment for someone like me with an overactive imagination and a passion for all things LGBT.

(C)  CAN YOU TELL US ABOUT YOUR WRITING STYLE? HOW DO YOU DECIDE ON PLOTS AND CHARACTERS? ARE YOU A PLANNER OR A PANTSER?

I’m a writer with a lyrical, descriptive style who cares about the detail of things. Bringing to life a setting is important to me, evoking a sense of place and the particular mood of the moment. I’m also keen to portray the uniqueness of each character, what makes them laugh, what makes them cry, and sharing this with the reader.

I’m not sure I decide upon plot and character, it’s more that a place, a person or an event sparks a creative response from which a story begins to form. For example, the idea for my latest work Love’s Portrait came from a creative writing workshop focusing on forgotten female abolitionists. Their passion and courage in the face of opposition was so inspiring that I began to wonder ‘what if’…and how to weave that ‘what if’ into a contemporary love story.

As to whether I’m a planner or a panster…I’m a bit of both. I work to an outline which gives me direction but ultimately the details, the heart of the story emerges from the act of writing, which for me is where the magic lies.

(D) IF YOU HAD TO DO IT ALL OVER AGAIN, WOULD YOU DO ANYTHING DIFFERENTLY? 

No, I wouldn’t change a thing. Going back and seeking to change the path of your life feels a bit like flattening out the mountains – with the breathtaking ride of the highs and lows lost in favour of a more plain and certain view.

(E) WHAT IS NEXT FOR YOU? WHAT IS YOUR NEXT PROJECT?

I’m currently working on my second novel Love’s Portrait, a contemporary romance infused with a tragic love story from the past. At the heart of the plot is the mystery of a watercolour of a beautiful woman painted in the 1830’s.

Again not trying to give too much of the plot away, it is a love story between Molly Goode (a sweet, quirky, and passionate museum curator) and Georgina Wright (a confident, stylish, but somewhat closed off investment banker) who has inherited the painting through the death of her father.

The theme of the book is about the strength, compassion, and ballsy-ness of women whether it be during the fight for the abolition of slavery or in the fight for LGBT voices to be heard in mainstream society.


Why not check out the ELLCon website for more interviews with authors who are attending the conference. Also you can sign up to their newsletter for book giveaways and get all the latest conference news.

Not long to go now…

 

 

 

 

 

© 2016 All rights reserved.

 

 

 

 

My Heart Will Surely Burst

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Honestly, I’m not sure when I was last this excited as I am so looking forward to the upcoming BSB festival in Nottingham 5th & 6th May that I worry that my heart will surely burst.

These three words perhaps best explain why I am so excited: kinship, inspiration, and joy.

I’m thrilled by the thought that I will be spending time with people who might just say “Yeah you’re not the only one I feel that way too,” about writing, about reading, about life. The consolation I might feel when realising my writerly quirks are not quirky at all, and that I might not carry alone those worries I feel on dispirited days. The opportunity I might have to share an understanding of those moments of joy that keep us going, as we chat and laugh over a coffee or maybe a pint or I don’t know a bottle (or two) of wine.

I’m in awe with the thought that I will be spending time with people who are properly inspiring; those with the talent to combine blue sky thinking with a care and attention to the detail of things. To have the company of people who dare to dream and who have the courage to be open and to write from their hearts.  To hang out with those who support writers to write, who understand that writing is a shared endeavour, a magical union of publisher, editor, author, and reader.

But most of all perhaps, I can’t wait to say a heartfelt thank you, to my colleagues, to readers, and for the opportunity to make history together as we participate in such a landmark event.

So see you in a couple of weeks and if you see me bursting with wonder and delight you’ll know why.

Anthology of Poetry and Prose “We want to tell you how …”

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I am delighted to be a part of this wonderful anthology of poetry and prose celebrating women’s loves, lives and landmarks.

Fourteen women have contributed to this anthology. We share our experiences of love and life … and the landmarks that mark our progress through our lives … in our own very varied styles, using poetry and prose.

The anthology is published by Paradise Press.
ISBN 978-1-904585-89-3

144 pages          £7.99

Published:   March, 2018

 

We want to tell you how … contains deeply heartfelt, pain-fully honest, and beautifully written pieces of writing. For those who have ever lived with hope or regret, you will find your own story amongst these pages. —Clare Summerskill

 

Anna Larner – Author of Highland FlingHooper Street and Love’s Portrait.

Finalist in the 2019 Foreword INDIES Book of The Year, 2019 Rainbow Awards and 2018 Golden Crown Literary Society Awards.

Featured in women.com, DIVA magazine, Gscene magazine, AfterEllen (Top Ten Summer Reads of 2017) and Publishers Weekly.

 

 

 

 


© 2016 All rights reserved.

Bold Strokes Books Festival – 5th/6th May 2018

As always I’m really looking forward to attending the annual Bold Strokes Books festival.

This year thirty three authors from around the world will be descending on Waterstones, Nottingham on the 5th/6th of May to celebrate all that is great in LGBTQ fiction.

Tickets are available now. £3 per day redeemable against any book purchase.

Looking forward to seeing you there!

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attending authors

*** Bold Strokes Books is a boutique imprint producing quality fiction that pushes the envelope to present immersive, unique, and unforgettable reading experiences. ***

2017 – What a year!!!

My debut year has been a blast, here are some of the highlights…

AfterEllen recommended Highland Fling on their Official Summer 2017 Reading List.

DIVA Magazine reviewed Highland Fling in their June Pride Issue.

 

“Take a day off, curl up and lose yourself in this lovely lesbian romance.” – Sita Balani

 


Bold Strokes Books authors rocking it at Gay’s The Word – what a magical evening that was. Thanks Uli and Robin for being such great hosts.


Author panel at Lfest 2017 – what a magical weekend. Thanks Cindy and the LFest Crew for putting on such a fantastic festival of arts, music and entertainment.

Click here to read my interview with Velvet Lounger from the Lesbian Reading Room.


Radio DIVA interview – Thanks Rosie Wilby and Heather Peace for being such great hosts.

Listen here to me chatting about my debut novel Highland Fling, my publisher Bold Strokes Books and my excitement about the upcoming DIVA Literary Festival. (from 42mins).

Radio DIVA Interview


Look out for my new lesbian romance Love’s Portrait to be released in 2019. In the meantime why not check out my short story Hooper Street which is available now on amazon.


© 2016 All rights reserved. No reproduction without written permission.

DIVA Literary Festival

DIVA Literary FestivalI’m thrilled to be taking part in the inaugural DIVA Literary Festival and Awards which are taking place at the Hilton Metropole, NEC Birmingham on 3rd/4th/5th November 2017.

The weekend will begin on the Friday evening with the DIVA Literary Awards and continue with two days full of book readings, writing workshops, panel discussions, poetry readings and much more.

Come and perhaps discover your new favourite writers!

Radio DIVA Interview

To tempt your appetite for the weekend listen here to me chatting with Rosie Wilby and Heather Peace on Radio DIVA.

I chat about my debut novel Highland Fling, my publisher Bold Strokes Books and my excitement about the upcoming DIVA Literary Festival. (from 42mins)

I look forward to seeing you there …

 

Saturday Nov 4th 10:30 – 11:15 
LEADING LADIES
Iconic literary characters live on in readers’ memories for all time. Bold Strokes Books authors explore the challenges involved in creating memorable characters and discuss strategies for making characters unique, non-traditional, and unforgettable.

Sunday Nov 5th 12:45 – 13:30
GENRE BENDING
From Fantasy to Adventure to Romance, Bold Strokes Books authors discuss what drew them to write in their particular genre(s). What are the similarities between genres? Where is there overlap? Do genre conventions matter?

 

Gay’s The Word and LFest – Finding The Way Out

way outFinding the way out can be hard, can’t it?

Be it finding your way out of a confusing car park or poorly signposted building. Or indeed finding your way out of an embarrassing situation or, perhaps heartbreakingly out of a love lost or broken.

Finding the way out of feelings that hurt us is at the heart of life. But then mercifully there are those words that form stories, images, and ideas to be found spilling out of books, to console us and to show us a way through.

We find such solace in the shared experience depicted by the writer, who in turn is writing to find their own way out for those feelings and characters that crowd their head and heart.

It is therefore no wonder that those spaces that bring the reader and writer together are so incredibly precious. I couldn’t have felt this more when in the last few weeks I have been so fortunate to read at both Gay’s The Word and at LFest.

For me Gay’s The Word is not just a bookshop, and LFest is not just a festival, they are without question the champions of our words, our stories, and the providers of sanctuary for our hearts.

For nestled amongst the many shelves of books at Gay’s The Word and canopied underneath the dome of the big top at LFest, the audience looked back at me, waiting for the writers with their lips pressed to the microphone to speak the words with the potential to connect, inspire, and delight.

In those moments, paved by books, perhaps we found a way out together towards our queer future, illuminated in hope and wonder by the stories we love and share.

 

 

© 2016 All rights reserved. No reproduction without written permission.

Gay’s The Word and LFest – Finding The Way In

way in sign

Finding the way in is at the heart of everything isn’t it?

Be it finding the way in to a confusing car park or a poorly signposted building. Or indeed finding your way in to establishing the common ground of a friendship or perhaps most importantly to the heart of the one you love.

Finding the way in is not only at the heart of life, it is at the heart of writing. It is that moment when a writer’s creativity sparks, igniting an imagined scene or character or dialogue. It is where the story begins.

I remember reading an interview with author Nancy Garden explaining how she found her way in to writing Annie on My Mind with a single line of dialogue.

“One rainy day…the words ‘It’s raining, Annie’ popped into my head. I know it sounds weird, but something told me that at last this might be the beginning of the book, although I didn’t know who was saying ‘It’s raining’ or who Annie was. But nonetheless that was how Annie on My Mind was born.” 1

Nancy’s explanation resonated with me as my debut novel Highland Fling began as much with a line of dialogue as with the setting of the Scottish Highlands. I could hear my main character Eve saying tenderly to her lover Moira, “You can touch me if you want”.  These few words began a paragraph of writing, which then became a page, which eventually developed into a novel.

In a similar way my short story “Hooper Street in the anthology Girls Next Door: Lesbian Romance became the destined home for a phrase that had loitered in my head, potent yet aimless: “It was a Tuesday when…” The line now continues “I first met Abbie.”  “Hooper Street had already been loosely drafted before those homeless words gave the story the purpose and orientation it needed. It peculiarly felt like those five words were fated to belong in the story, but that at some point they had been separated from it, like a dream half forgotten and then suddenly fully remembered.

For sometimes ideas, words, and images conjured by the imagination are so fleeting, that the writer is left chasing the memory of something, constantly editing and refining, working to get as close as possible to the perfect creative form just out of reach.

Despite the writer’s efforts to capture their imagination onto a page and to craft the perfect story, the ultimate meaning of a work lies with the reader. After all, the words and images that connected the story to the writer will not be the same words and images that connect the story to the reader.

All a writer can do is guide the reader in the direction we hope they will travel. But in the end, as it should be, the joy is the discoveries you make for yourself, the satisfaction of finding your own way in.

You will find me, should you wish, reading from Highland Fling and “Hooper Street and chatting more about writing at Gay’s The Word Bookshop, London, on 13th July, and at L Fest, Loughborough on 22nd July.

I look forward to seeing you then.

  1. p254, A Conversation with Nancy Garden, interview with Kathleen Horning, Annie on My Mind, 2007 Edition, FSG

 

© 2016 All rights reserved. No reproduction without written permission.

Thoughts From The Bold Strokes Books Festival June 2017

Talk To Me - Writing Good Dialogue
Writing Good Dialogue Panel

 

“Writing good dialogue”

Here are some of the ways I think good dialogue contributes to a story:-

 

 

  • It can entertain – enlivening the prose and engaging the reader.
  • It can move an aspect of the plot or narrative forward in a way which, because it is absorbed within the ‘chat’, feels light and digestible – meeting the wise adage of show not tell.
  • It can impart information about a character, allowing the reader to: ‘hear’ the character’s unique voice; ‘see’ their mannerisms; and ‘understand’ their emotions/reactions.
  • It can reveal how a character can change depending on who they’re talking to, illuminating the distinct relationship between characters. For example, a character chatting with their best mate might have ‘banter’, but the same character with their lover may have much more intense dialogue.
  • It can heighten the potency and the impact of a character’s internal thoughts, at times playing with the unspoken monologues. For example, when a character thinks one thing but says the opposite.
  • Particularly if the piece is written in third person, where you have a silent narrator if you like, it can cleverly allow the writer to say things the narrator can’t. Dialogue lends a character a dangerous independence.

So here’s a checklist of some of the things I think about when I’m writing dialogue:-

  1. Does the style of the dialogue I’m writing match the personality of my character? Is the ‘voice’ authentic to them?
  2. Does the tone and content of the dialogue fit the moment in the narrative? Are the characters saying the right thing, in the right manner, at the right time?
  3. Is the content of the dialogue engaging and informative, and will it help my reader better understand either the character and/or the plot?
  4. Is the dialogue easy to read – does it flow?
  5. Will the reader know at all times who is speaking and what is going on?
  6. Have I been careful not to overuse dialogue tags – those speech tags attributing dialogue, actions, and emotions to a particular character?
  7. Have I remembered that the pauses or pregnant silences can be as important as what is actually being said – the natural rhythm of speech if you like.

Top tip:-

Try sitting in public spaces and listen to people chatting. Hear how they interrupt each other, how they might begin on one subject and end on another, how passionate or flat their tone is.

Can you (without looking of course) imagine what they look like, what their life might be like?  What is distinctive about them – is it their accent, the pace of their speech, is their language – informal or formal?

And finally – listen to your characters chatting in your head (and they do!), let your writing be their voice.

 


 

“Thoughts about ‘Conflict’ in fiction writing”

 

Moderating the Conflict Panel
Danger, Conflict, Uh-Oh Panel

In works of narrative, ‘Conflict’ is the opposition main characters must face to achieve their goals.1

A writer might employ two forms of conflict to create the tension which drives the narrative. Conflict may be ‘internal’ or ‘external’ – it may occur within a character’s mind, most commonly revealed in their internal debates or monologues or between a character and exterior forces, for example in conflict with another person or the world around them.

Writers will often employ both forms at once, as a combined tool, for the development of plot and character.

To avoid the conflict feeling forced or unbelievable a writer will embed the conflict at the heart of the novel, so that it is an integral element and arises organically and effortlessly.

Conflict creates drama and interest in a novel by setting seeds of doubt, it keeps the reader guessing, it invests the reader in the outcome, and keeps them turning the pages again and again…

  1. https://en.wikipedia.org/wiki/Conflict_(narrative)

 

© 2016 All rights reserved. No reproduction without written permission.